Who's That Girl?
Edited in part from an article by Leon Edward Joseph, Artists & Models Magazine, 1926

Arthur Von Frankenberg sculpted his figures from a live model. Her name was Leona Osborne, a celebrated English model of the day. The story goes that one day, while painting and entertaining some friends at the same time in his new art-filled studio, one of his visitors looked around for a place to dispose of his cigar ashes and found none. Leona, who was posing for the current work at hand, realized the man's concern and jumped up from the divan and picked up a large Benares brass bowl, which was a full three feet across and had been sitting on a taboret. She struck an eccentric pose and offered it to the visitor for his ashes. Everyone laughed at the new five foot six inch ashstand!

Von Frankenberg suddenly had an idea. Why not create a small bronze ashtray in the same pose which would be a thing of beauty as well as functional? He immediately put aside his other work and started modeling Miss Osborne's form as a miniature ash receiver. Thus, was born the Frankart figure!

The success of the ash reciever led to a whole series of flower holders, ashtrays, lamps, ashstands, bookends, etc for the home. Miss Osborne remained the model for the entire series.

Von Frankenberg captured the nude female figure with its enticing beauty without any suggestion of vulgarity. He used as his slogan the words of Anatole France, "The most beautiful draperies are despicable compared with the lines of a beautiful body. Art is the representation of nature and nature is preeminently the human body; it is nude."

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